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南亚东南亚造像艺术专栏

南渚山房 刘冬

东南亚古代造像独立研究者

《海丝南渚志》纪录片制片人《Southeast asia buddhist art sumatra&java suculptre 2022》

东南亚佛像苏门答腊与爪哇雕塑，作者黄岩博物馆《造像万千》台州博物馆《金木荟萃》策展人资深服饰配饰设计师德国红点设计奖获得者

南渚山房

成立于2016年，是一家专注东南亚艺术收藏，研究，推广的专业机构。总部位于浙江台州临海市，机构在台州-临海市，印度尼西亚-雅加达，中国-上海等地设有线下空间。

主理人：刘冬

东南亚古代造像独立研究学者，作家，制片人，策展人，资深设计师。

有着多年的东南亚艺术收藏，研究积累，出版和在编《东南亚爪哇与苏门答腊佛像》等多部著作。策展多场“海上丝绸之路艺术”为主线的东南亚造像艺术展览。与戛纳最佳故事短片获奖导演-郑凯，合作拍摄的《海丝南渚志》系列纪录片等，多项填补该领域研究的空白。机构为合伙人制度，与各大博物馆和高校学术资源的对接，构建了极高的专业水准。同时，也深度参与拍卖和市场的资源共享，搭建多维度的渠道优势。实现学术与市场的双轮驱动，以此为基础与客户一同倾力构建他们的收藏。并开展艺术品经纪，策展，出版，文旅，文创，不断挖掘东南亚区域的艺术潜力。

此尊造像整体呈现典型的笈多古典艺术风格，准确，贴体，优美的线条勾勒出年轻健硕的佛陀身躯。

整体黑色火山灰皮壳，黑古包浆如碳有两类，一类如此尊硫化物附着均匀，细腻，手抚之柔滑如肌肤，皮壳下几无锈蚀，状态好；另一类附着硫化物颗粒堆叠，皮壳下锈蚀程度较深；这也是爪哇造像典型的皮壳特征之一，与其他亚洲地区铜造像皮壳相比，独具特色，非常有地区辨识度；

同时，此尊造像与印度阿旔陀石窟第5窟造像几乎一致，阿姆斯特丹国立博物馆馆藏铜底座银合金身躯的释尊说法像类似，南渚山房

Southeast asia buddhist art sumatra&java suculptre 2022图录里有辑录，以及雅加达博物馆馆藏一尊8-9世纪笈多风格释迦牟尼佛石雕亦如出一辙，由此我们判断此尊造像属于不会晚于9世纪晚期的中爪哇作品。

This statue presents a typical Guptaical art style, and its accurate, close fitting and beautiful lines outline the young and strong Buddha's body. There are two types of black volcanic ash crust, black ancient wrapping paste, such as carbon. One type is so respectful that the sulfide is attached evenly and delicately, and the touch is as smooth as the skin. There is almost no rust under the crust, and the condition is good; The other is stacked with sulfide particles, and the rust under the crust is deep; This is also one of the typical shell features of Java statues. Compared with other copper statue shells in Asia, it is unique and highly recognizable;

uddha opened his face like a teenager, with a spire shaped bun, a full forehead, and a grin. This is one of the characteristics that Pan Asia likes to show, whether in early stone sculpture or bronze sculpture. The round flaky head light is close to the back of the head, and the inscription "", meaning "", is cast on the back of the head light. The shoulder of the full-length cassock is close to the body, the shoulder is stretched, the chest is wide and full, in an inverted triangle. The palm of the left hand half raised holds the corner of the cassock outwards, the ring finger is broken, the right hand knot comfort mark, the stable and strong legs are parallel and upright, still showing the structure of the knee. The front and back of the edge of the lower hem of the cassock are clearly layered, and the proportion of the upside down lotus platform is compact, Only the feet are taken over. In terms of overall proportion, it sets off the huge volume of the statue as a whole and gives people the aura of majesty;

At the same time, this statue is almost the same as the serial number statue of Cave 5 of Ahutta Grottoes in India. The serial number of the Metropolitan Museum in New York clearly shows that there is a heritage relationship. A Gupta style Sakyamuni Buddha stone sculpture from the 8th to the 9th century in the Jakarta Museum is also the same.

展览时间:2023年11月15日至11月17日You Are Cordially Invited to誠邀您莅臨Venue 地點:ART SUNGARI EXPOSITION北京·2023聖佳艺術博览會 展位号：A15聖佳藝術中心·北京市朝陽區東三環南路76號Shengjia ArtCenter.No.76NAN ZHU SHAN FANGEast Third Ring South Road,Chaoyang District,Beijing 南渚山房 南亞與東南亞藝術

东南亚古代造像艺术

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