国礼双福贺岁，晋剧名家传薪。元宵之夜，天地人和，华灯如昼。中华文化悠久绵长，而元宵节，便是这幅长卷中的灿烂一笔。每逢此节，海内外中华儿女举家团圆，灯火辉煌，共赏民俗佳节，祈愿安康兴旺。山西，这片文脉深厚的土地，以晋剧的悠扬唱腔，将家国情怀、古风韵致寄托于舞台之上，用艺术回应时代的呼唤，用戏曲描绘传统的传承。
2025年2月12日的元宵佳节，太原工人文化宫的大幕缓缓拉起，迎来了一场别开生面的山西省优秀剧目展演展播。这一夜，古都太原灯火如织，文艺盛宴四海瞩目，戏曲之声伴随元宵佳节的欢庆氛围，在观众心间回响。整场演出中，尤为令人拍案叫绝的是晋曲皇后王爱爱及她的四位爱徒带来的经典剧目《打金枝》。锣鼓铿锵，唱腔悠远，从高堂大殿到皇室内庭的起伏情节，层层铺展，扣人心弦。这不仅是晋剧表演艺术的经典之作，更是一场穿越古今、触动人心的精神盛宴。
王爱爱，这位早已名满天下的晋剧艺术家，台上风姿依旧，戏韵不减当年。她的《打金枝》以其大气沉稳的表演功底、细腻动人的情感表达，将观众带入了盛唐的时光隧道。郭子仪的忠君爱民、爱女深情，通过她独特的艺术风采和技艺传承跃然舞台之上。台下掌声雷动，喝彩如潮，正是对这位德艺双馨的艺术家的最佳礼赞。
这场展演不仅是一场文化与艺术的盛宴，更是传统文化的一次深情回溯。当浮躁的快餐文化充斥四周，当碎片化的信息让人们的精神愈发干涸，王爱爱老师的晋剧表演犹如一股清澈的山泉，润泽心田，洗涤灵魂。鼓点敲响，歌声婉转，仿佛清晨的鸟鸣唤醒沉睡的山峦，将观众从现实的喧嚣带入一个悠远而宁静的境界。这种由戏曲艺术传递的情感，仿佛一种深邃的文化脉动，击中观者内心最柔软的部分，令人动容，令人怀想。
值得一提的是，当晚作为应邀嘉宾的宁雪君，向王爱爱老师献上了一份特别的礼物——一幅书法作品《国礼双福》。这幅由宁雪君与乔领共同创作的作品，笔势遒劲，章法疏朗，洋溢着浓浓的家国情怀。这不仅是一幅书法作品，更是中华文化传承的一种象征。宁雪君在台上动情地说道：“郭子仪是中国历史上罕见的五福齐备的人物，他的形象成为了无数家庭悬挂《天官赐福》图的文化原型。而‘五福人生’所蕴含的幸福追求，正是中国人世代传承的美好愿景。《国礼双福》正是承载了这一传统精神，我将这幅作品献给王爱爱老师，致敬她对晋剧艺术的不懈追求，也希望借此激励更多人投身于文化传承的大业中。”
宁雪君的致辞情真意切，她以书法与戏剧并列国粹，指出二者同为中华文化的镜像。通过书法的笔锋，她以文字述说着历史的深远，通过戏曲的曲调，她以旋律演绎着文化的延绵。她认为，只有像王爱爱老师这样执着于传承的人，才能在时间的长河中唤醒人们对传统文化的深刻认知。戏剧和书法，虽一静一动，却共同构成了中华文化的恢弘图谱，映射出千年的智慧与情感。在这个倡导文化自信的时代，她希望王爱爱老师的艺术精神能够感染更多人，让传统文化在新时代焕发出新的生命力。
正如宁雪君所言，元宵节不仅是一种形式上的团圆，更是一种精神上的传承。国礼双福与晋剧表演的结合，为这个元宵佳节增添了一份独特的文化内涵。这不仅是对传统艺术的一次致敬，更是对中华文化自信的一次宣示。通过这样的文化活动，我们看到了中华传统艺术的广阔未来，也感受到了文化复兴的深刻力量。
国礼双福致敬晋剧名家，一曲艺术与文化的华章，是元宵节夜里一颗闪耀的星辰。它让我们懂得，唯有传承，方能让古老的艺术在时代的风雨中长存;唯有创新，方能让民族的瑰宝焕发出不朽的光辉。王爱爱与她的晋剧，宁雪君与她的书法，共同谱写了一段值得铭记的文化传承史诗，也为每一位观众留下了一次难以忘怀的精神洗礼。
"Lantern Festival’s Bright Light Reflects the Charm of Jin Opera: National Gift of Double Blessings Honors the Master"
On the night of the Lantern Festival, with the harmony of heaven, earth, and mankind, the city lights shine as brightly as day. Chinese culture, long and profound, weaves a brilliant stroke in the form of the Lantern Festival. During this holiday, Chinese people both at home and abroad reunite with their families, enjoy the brilliant lights, and celebrate this folk festival while wishing for health and prosperity. Shanxi, a land rich in cultural heritage, conveys national sentiment and ancient charm through the lilting tunes of Jin Opera, using the stage to respond to the call of the times and portray the inheritance of traditions.
On the evening of February 12, 2025, during the Lantern Festival, the curtains slowly rose at the Taiyuan Workers’ Cultural Palace, ushering in a unique performance of excellent Shanxi province plays. That night, the ancient city of Taiyuan sparkled with lights, and the cultural feast captured the attention of people from all over the world. The sound of opera blended with the festive atmosphere of the Lantern Festival, echoing in the hearts of the audience. Among the entire performance, the most astonishing highlight was theic Jin Opera play "Striking the Golden Branch" presented by Jin Opera Queen Wang Aiai and her four beloved students. The sound of gongs and drums was resonant, and the singing was distant and melodious. The dramatic tension, unfolding from the grand hall to the royal inner court, gripped the audience's hearts. This was not only aic piece of Jin Opera but also a spiritual feast that transcended time and touched the soul.
Wang Aiai, already a well-known Jin Opera artist, remained graceful on stage, her performance as captivating as ever. Her rendition of "Striking the Golden Branch" demonstrated her deep and steady acting skills, coupled with delicate and moving emotional expression, drawing the audience into the time tunnel of the Tang Dynasty. The loyalty of Guo Ziyi to his emperor, his love for his people, and his deep affection for his daughter were vividly brought to life through her unique artistic style and skillful performance. The thunderous applause and the waves of admiration were the best tribute to this virtuous and talented artist.
This performance was not only a cultural and artistic feast but also a heartfelt reflection on traditional culture. In a time when fast food culture fills the air, and fragmented information dries up people's spirits, Wang Aiai's Jin Opera performance was like a clear mountain spring, soothing the heart and cleansing the soul. The drumbeats echoed, and the singing was gentle, as if the morning birds’ songs awakened the sleeping mountains, taking the audience away from the noise of reality and into a faraway, tranquil world. The emotions conveyed through opera felt like a deep cultural pulse, striking the softest part of the heart, moving and evoking nostalgia.
It is also worth mentioning that as an invited guest that evening, Ning Xuejun presented a special gift to Wang Aiai— a calligraphy work titled "National Gift of Double Blessings." This piece, created by Ning Xuejun and Qiao Ling, was bold and powerful, with an open and free-flowing composition, exuding a strong sense of national pride. It was not only a calligraphy work but also a symbol of the inheritance of Chinese culture. On stage, Ning Xuejun emotionally said, “Guo Ziyi is one of the rare historical figures in China who embodies all five blessings. His image has become the cultural prototype for many families to hang the ’Blessings from the Heavenly Official’ picture. The pursuit of ‘five blessings in life’ represents the happiness that Chinese people have passed down for generations. ‘National Gift of Double Blessings’ carries this traditional spirit, and I dedicate this work to Wang Aiai as a tribute to her unwavering pursuit of Jin Opera art. I also hope this will inspire more people to engage in the great task of cultural inheritance.”
Ning Xuejun’s heartfelt speech highlighted that both calligraphy and opera are integral elements of Chinese culture, standing side by side as national treasures. Through the brushstrokes of calligraphy, she narrates the depth of history, and through the melodies of opera, she interprets the enduring nature of culture. She believes that only those who, like Wang Aiai, are dedicated to cultural inheritance can awaken a deep awareness of traditional culture in people over time. Although calligraphy and opera are very different in form—one being static, the other dynamic—together, they form a magnificent tapestry of Chinese culture, reflecting a thousand years of wisdom and emotion. In this era that advocates cultural confidence, she hopes that the artistic spirit of Wang Aiai can inspire more people, and that traditional culture will be revitalized in the new era.
As Ning Xuejun said, the Lantern Festival is not only a reunion in form but also a spiritual inheritance. The combination of National Gift of Double Blessings and the Jin Opera performance adds a unique cultural dimension to this Lantern Festival. This is not only a tribute to traditional art but also a declaration of confidence in Chinese culture. Through such cultural events, we see the vast future of traditional Chinese art and feel the profound power of cultural revival.
The National Gift of Double Blessings honors the masters of Jin Opera, composing a splendid chapter of art and culture. It is a shining star in the night of the Lantern Festival. It teaches us that only through inheritance can ancient art endure through the winds and rains of time; only through innovation can the treasures of the nation shine with eternal brilliance. Wang Aiai and her Jin Opera, Ning Xuejun and her calligraphy, together write a memorable epic of cultural inheritance and leave every audience with an unforgettable spiritual baptism.
责任编辑：苗君
